Inception
       
     
Inception
       
     
Inception
       
     
Inception
       
     
Inception

This series of shots was completed for Christopher Nolan's 2010 film 'Inception'.

They were all about clean up. The live action plates were shot with a huge hydraulic rig holding up the actors to make them appear weightless and wires hanging the props in place for the actors to interact with.

Unfortunately these shots were all completed before Double Negative had crossed over from Shake to Nuke so tracking data had to be generated in Maya and imported into Shake as a 4 point track. Still frames of the corridor's walls and ceiling were cleaned up and tracked in much the same way as a card works in Nuke now. Additional clean up and paint work was required where the rig was attached to Joseph Gordon- Levitt's waist.

Inception
       
     
Inception

This series of shots was completed for Christopher Nolan's 2010 film 'Inception'.

They were all about clean up. The live action plates were shot with a huge hydraulic rig holding up the actors to make them appear weightless and wires hanging the props in place for the actors to interact with.

Unfortunately these shots were all completed before Double Negative had crossed over from Shake to Nuke so tracking data had to be generated in Maya and imported into Shake as a 4 point track. Still frames of the corridor's walls and ceiling were cleaned up and tracked in much the same way as a card works in Nuke now. Additional clean up and paint work was required where the rig was attached to Joseph Gordon- Levitt's waist.

Inception
       
     
Inception

This series of shots was completed for Christopher Nolan's 2010 film 'Inception'.

They were all about clean up. The live action plates were shot with a huge hydraulic rig holding up the actors to make them appear weightless and wires hanging the props in place for the actors to interact with.

Unfortunately these shots were all completed before Double Negative had crossed over from Shake to Nuke so tracking data had to be generated in Maya and imported into Shake as a 4 point track. Still frames of the corridor's walls and ceiling were cleaned up and tracked in much the same way as a card works in Nuke now. Additional clean up and paint work was required where the rig was attached to Joseph Gordon- Levitt's waist.